Hint: It looms in the West.
I know you know where it is. The first one to get the location and title correct will receive a free ticket to the Kirkland Museum. Good luck.
Hint: It looms in the West.
I know you know where it is. The first one to get the location and title correct will receive a free ticket to the Kirkland Museum. Good luck.
It’s the time of year to mark the 2013 free days at the Denver Art Museum, Denver Botanic Gardens, Denver Center for Performing Arts, Denver Museum of Nature & Science, and the Denver Zoo. Obviously it’s good for your pocketbook, but, I find once I plug these dates onto my calendar I am more apt to plan the weekend around one of the exceptional facilities we are so fortunate to have in Denver. It’s like being invited to a party – it’s rude not to go unless you’re sick in bed. Denver is generous with their free days I say don’t miss the party.
DENVER ART MUSEUM, 13th & Acoma, 720-865-5000, denverartmuseum.org. FREE on first Saturday of each month for Colorado residents, 10 am – 5 pm. One per person. The DAM will also be free on April 28 for Dia de los Ninos and September 7 for the annual Friendship Powwow.
DENVER BOTANIC GARDENS, 1007 York, 720-865-3500, botanicgardens.org. January 21, February 18, March 27, Aprill 22, July 9, August 27, October 7, November 2.
DENVER CENTER FOR THE PERFORMING ARTS, 14th & Curtis, 303-547-3410, denvercenter.org. Each Tuesday at 10 am the DCPA will release ten $10 tickets for every Denver Center Theatre Company performance in the coming week. Use code SCFD.
DENVER MUSEUM OF NATURE & SCIENCE, 2001 Colorado, 303-322-7009, DMNS.org. January 28, February 11, April 21, May 12, June 3, July 1 & 21, August 11 & 19, September 8, October 6, December 9.
DENVER ZOO, 2300 Steele, north of City Park, 720-337-1400, denverzoo.org. Jauary 11, 12 & 23, February 3, 4, & 21, November 4, 15 & 21.
For further information visit the SCFD website or call during regular business hours 303-860-0588, email scfd@scfd.org, website: scfd.org
“I’ve just kept on ceaselessly painting, in order to learn painting….” Vincent Van Gogh, 1885.
What I’ll remember about visiting the Becoming Van Gogh exhibit is how many people brought their young children, like four to five year olds and younger. I understand wanting a young child to see Van Gogh’s work, but, really. Mothers and fathers seemed to think it was acceptable to give an art history lesson out loud. Grrrr. As it was, I didn’t feel too badly about my coughing and stepping in front of the people with the audio headphones who stood in front of a painting for..ever. It is the flu season after all. Alas, I wasn’t fortunate enough to make it through the season unscathed and after canceling my ticket once, I downed a couple of Emergen-C’s, wrapped myself in a warm scarf and made my way through Becoming Van Gogh.
It was an ambitious undertaking. Not just getting through the throngs of visitors, but I imagined someone in the back room of a museum somewhere designing this smash hit by gathering 70 paintings and drawings of the wildly eccentric, dedicated artist, Van Gogh, then, creating a brilliant story board and narrative about how Van Gogh became Van Gogh. The exhibit illustrates the creative time line in the career making of an artist. b. 1853 – 1890.
I learned that VG was like many people I’ve known. After many false starts at life, accompanied by his eventual fatal mental illness, he decided to become an artist. The most endearing of his artistic traits, once he decided to be an artist, was that he put his mind to it and became as you know an exceptional and unforgettable artist. He embraced his career path seriously by beginning at the root of art. He learned to draw and he drew and drew until his art morphed into paintings and then he became fascinated with color. It’s what we now envision when we see the name Van Gogh – we think color. He became a beautiful colorist by meticulously studying, defying and questioning the rules of art.
“Factories at Asnieres” 1887
“Irises” 1889
Think of a ball of yarn with these color combinations.
My favorite take away was learning how he would wind different colors of yarn into balls to experiment with color combinations before adding them to his canvas. Look at his most colorful works. You’ll see how the contrasting colors literally pop on his canvases as they lay side by side. He was a genius and a tireless artist, who despite his mental imbalance and desperate straits, along with a God given talent, skillfully fine tuned a short, but distinctive style of art that is undeniably Vincent Van Gogh.
It’s what every artist strives for.
Icebreaker4 is the fourth annual juried exhibition of work by emerging and established artists living in the United States. This year’s juror is Nora Burnett Abrams, Associate Curator at the Museum of Contemporary Art Denver. Sponsored by the Ice Cube Gallery, a dynamic, contemporary art co-op, this exhibit has no specific theme and artists of every medium are encouraged to enter. Show will run March 7 – March 30th; Entry is by digital submission; entry deadline February 8. For full prospectus and application go to: http://icecubegallery.com/call-for-entries/
Ice Cube Gallery is located in Denver’s hottest new art district, RINO, and is a beautiful contemporary space. Here you can see a portion of one of my past solo shows in part of that gallery’s space.
Curious Theatre Company presents Jordan Harrison’s Maple and Vine, directed by Chip Walton. The production runs January 12 – February 23, 2013 at 1080 Acoma Street, Denver. The opening night is January 12, 2013, at 8 p.m.
Katha and Ryu, a modern-day couple stuck in a modern-day rut, discover a way out of the troubles they’ve been having—moving to a planned community perpetually located in 1955. Will going back to this not-so-simpler time be the answer to all their problems? Harrison’s audacious premise takes the audience into a parallel universe that is hilarious in its attention to detail, and surprisingly seductive in its artifice. Have we made progress as a society? Is it possible to forego the values of the present for the mores of the past? Would we even want to? Garnering rave reviews from audiences and critics alike, Maple and Vine was recently produced at Playwrights Horizons in New York City, and premiered at the prestigious Humana Festival for New American Plays.
The cast includes Curious Theatre Artistic Company Members C. Kelly Leo* (Ellen), Josh Robinson* (Dean) and Karen Slack (Katha), as well as Dale Li (Ryu) and Stuart Sanks (Roger).
Performances are January 10 – February 23, 2013. The opening performance is on January 12, 2013 at 8 p.m. Curtain times are Thursday – Saturday at 8 p.m.; and Sunday at 2 p.m. Tickets are $18 – $44 and are available at the Box Office, 1080 Acoma Street, Denver; 303.623.0524 or online at curioustheatre.org.
Discussions with artistic staff and cast members will follow all performances on January 17 – February 22, 2012.
I heard through the grapevine, the Becoming Van Gogh exhibit has already made more money for the museum than any show this year, even more than the outstanding Yves Saint Laurent. If you’re up for midnight madness at the museum and still no ticket to “Becoming Van Gogh” the museum is trying to accommodate all art lovers. You might want to go ahead and try for a ticket, it could be fun to visit the museum at 2 a.m. The museum will open at 8 a.m. Jan. 19 and close 40 hours later at midnight on Jan. 20.
Van Gogh wrote, “I painted two pictures of myself lately, one of which has rather the true character … I always think photographs abominable, and I don’t like to have them around, particularly not those of persons I know and love…. photographic portraits wither much sooner than we ourselves do, whereas the painted portrait is a thing which is felt, done with love or respect for the human being that is portrayed.”
(Letter to Wilhelmina van Gogh, 19 September 1889)
January 17 through March 2, 2013
“Object | Nature”
Featuring Concurrent Solo Exhibitions:
John McEnroe “Half-Life”
Karen Kitchel “Walking through the Fire”
William Lamson “Action for the Paiva”
and Tyler Beard “Otherscapes”
William Lamson Action for the Paiva video still
Robischon Gallery is pleased to present four, concurrent solo exhibitions where each individual artist considers the long view of our cultural identity from the vantage point of the natural world. Including: a John McEnroe sculptural installation, Karen Kitchel paintings, William Lamson videos and Tyler Beard collages along with video constructions by David Zimmer and Kim Dickey ceramics.
Also featuring: Recent work by David Zimmer and Kim Dickey
January 17 through March 2, 2013
Opening Reception for the artists: Thursday, January 17, 6 – 8 pm
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Before I Die is an interactive public art project that invites people to share their hopes and dreams in public space. After artist and urban planner Candy Chang lost someone she loved very much, she painted the wall of an abandoned house in her neighborhood in New Orleans with chalkboard paint and stenciled it with a grid of the sentence “Before I die I want to ______.” Passersby can use chalk to write directly on the wall. The project has since spread worldwide and walls have been created by communities in Mexico, the Netherlands, Australia, Kazakhstan, and beyond. The project is about remembering what is important to you, creating a public space for contemplation, and reimagining how our public spaces can better reflect what matters to us as a community and as individuals.
Candy Chang. She’s an artist, designer, urban planner, and co-founder of Civic Center, a civic design studio in New Orleans. She created the wall in her neighborhood in New Orleans after she lost someone she loved very much. Read her full bio here. Additional installation assistance by Kristina Kassem, Alan Williams, Cory Klemmer, Anamaria Vizcaino, James Reeves, Alex Vialou, Sean Knowlton, Carolina Caballero, Earl Carlson, and Gary Hustwit.
Made with primer, chalkboard paint, stencils, spray paint, chalk. Self-initiated with permission from the property owner, residents of the block, the neighborhood association’s blight committee, the Historic District Landmarks Commission, the Arts Council, and the City Planning Commission. With generous support from the Black Rock Arts Foundation.
The original installation was created February 2011 and lasted until October 2011. At that point the property was purchased and the house is currently being renovated and turned into a home again. Happy ending! The project continues to grow, with new walls being made around the world every month.
The first installation was created on an abandoned house in Candy’s neighborhood in New Orleans, at the corner of Marigny St and Burgundy St (900 Marigny Street).
After receiving many requests from people around the world, Candy and her Civic Center colleagues created this project website and a Before I Die Toolkit to help people make a wall with their community and share their wall online. A book about the project will be published by St. Martin’s Press and released in 2013. Learn more here. (2012)

CHAC Gallery January 2013 Presents a Retrospective of the work of our very own Stevon Lucero.
Stevon Lucero…the painter… the storyteller… the legend!
We all know and love Stevon Lucero. He has taken some time away and everyone has been asking about him…is he still painting? Is he still showing his work? What is he doing? Well, we are going to have him the whole month of January to view his amazing work and have him tell us his wonderful stories!
Stevon Lucero is one of the Founding members of CHAC Gallery. We are excited that he has agreed to have a retrospective of his work at CHAC Gallery.
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