Author Archives: Denver Art Matters

Loveland Artists swarm Little Rock, Arkansas

Photo of Little Rock, Arkansas, 

from the West, October 22, 2012.

Marble sculpture

by Michael Warrick, Little Rock.

Is there anything in the whole world better than old friends? I think not. I had the distinct pleasure last week of seeing childhood friends in Little Rock and at the same time, seeing friends from my Art Revue Magazine days in Loveland.

In October I had free time on my hands. My oldest friend in Benton, Arkansas, needed help with her campaign in the small city south of Little Rock. I pulled dates out of a hat for the best airfare then luckily landed in Little Rock the week of the sculpture show.

What I loved most about the River Market Sculpture Show, every sculptor I spoke to loved Little Rock. I’ve always found it hard to believe people do not know Little Rock, Arkansas, and most have never been there. Just to let you know, it’s a beautiful city with the Arkansas River running through it and like Denver, it sits under a classic cityscape and growing art community. The Clinton Library sits on the river at the East end of the River Market area in downtown. The revitalized neighborhood is alive with restaurants, bars, clubs and hotels.  In the last ten years the city has created a beautiful walk along the river banks dotted with sculpture, most of them Colorado artists.

I walked into the pavillion on the last day of the show. The first people I saw were Adam Schultz and Lori Acott, and in no particular order Pati Stajcar, Kim Shaklee, Dee Clements, Mark Hopkins, Michael & Shelley Buonaiuto, Sandy Scott, Tim Cherry, Wayne Salge, Kevin & Diane Robb, Kathleen Caricof, Denny Haskew, Mark Leichliter, Jane Decker’s brother, Ron Chapel – won the 2012, $50,000 commission at the show, Clay Enoch and John Sewell.

All those familiar faces from two distinct areas of my life was just enough to make me lightheaded, considering my cold and all, you can understand my confusion. Here I was in my beloved Little Rock with childhood friends beside me while talking to Dee & Kevin & Denny & Sandy…I had to stop and remember where I was again & again. It was a great homecoming and a humbling reconnect with the many friends I made in Loveland years ago. Together, during those years, 1990-2004, when Loveland was finding its niche we became an art community and I like to think we all helped in our own way to put Loveland on the art map.

From L to R: Sandy Scott’s pig. Adam Schultz and Lori Alcott.

Take a look: www.sculptureattherivermarket.com

Authentic Southern art: Coconut Cream Pie from Ed & Kay’s in Benton, Arkansas.

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Denver Go to Memphis

MEMPHIS, THE MUSICAL, RUNS THROUGH OCTOBER 21, 2012. 

I waited three years to see Memphis, The Musical. I dreamed of seeing it on Broadway but before I could travel to NYC from Florida, I moved back to Denver.  Then I dreamed of being in Memphis, Tennessee, for the namesake’s opening night.  I vowed to myself. I wouldn’t miss it if it came to Denver. Last week was my opportunity and I didn’t miss it.  I was like the young boy I was shoulder to shoulder with at the pre-show merchandise counter.  We were two star-struck teens, we shopped, fidgeted, handled all novelty items, magnets, CD’s, key chains and lip-synched the songs. I quickly made my decision, a pink, girl-cut T-shirt with the orange guitar running up the side with the words: Memphis Lives in Me.

I grew up west of Memphis in Little Rock, Arkansas. My favorite radio station was KOKE,  with the tag line, The Black Spot on Your Radio Dial. Those late night shows were the beginning of my love affair with blues, hip-shakin’ rock’n roll, jive, jump blues from the likes of Sam Cooke, Etta James, Big Mamma Thornton, Little Richard, Gatemouth Brown, Muddy Waters, BB King and Ben E. King, Bobby Blue Bland and one of my all time favs Clarence ‘Frogman’ Henry.  The impact on my life from their music and my Southern heritage is a badge I’m proud to wear.

Memphis, The Musical is about that era in our musical history when white adolescents discovered and loved black music. If  the 45 rpm “A White Sports Coat with a Pink Carnation,” by Marty Robbins crossed over from country to pop, Little Richard’s  ‘Tutti Frutti’ the same year, 1957, hit the airwaves with another explosion. The hit parade songs from Perry and Frank didn’t resonate with white suburban kids anymore, they had heard rock ‘n roll.  One night, as the musical story goes, black & whites met on common ground at a colored juke joint in Memphis, Tennessee. Huey Calhoun, the white boy who became Memphis’s first cross-over DJ, was lured by the toe-tapping, soulful music seeping under the door. It changed Huey’s life, Memphis town, and rock ‘n roll forever.

I will not go on & on about how wonderful this show is and what it meant to me. I don’t have time to write my childhood story to include my Memphis Aunt Jamie Sue or Aunt Jack (who told Elvis’s father to kiss her ass when he left her waiting in the Graceland foyer for over an hour) on this little blog.  But here’re the facts, Memphis, The Musical, won four Tony Awards in 2010 for Best Musical, Best Original Score (David Bryan from Bon Jovi, and Joe DePietro), and Best Orchestrations (David Bryan and Daryl Waters). If you have a chance to see MTM you will be singing and longing, depending on where you’re from, for Memphis the Musical or hankering for the hometown flavors of Memphis, Blues & BBQ.

The show is beautifully orchestrated and choreographed with fabulous dancers, singers, brilliant stage & set design and music that fills the heart. Everyone leaves the show with the song title embedded in their soul:  Memphis Lives in Me.

http://www.youtube.com/watch?v=QFq5O2kabQo  click here for Little Richard singing “Tutti Frutti.”

Get your tickets at www.dcpa.org

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Twofers at Avenue Theater

BRING A FRIEND FREE!

Thursday 10/11 & SUNDAY 10/14

ONLY $20 for TWO


Call about our Dinner Date deal at the Avenue Grill. 
303-321-5925 


Get your Tickets.
Your quicklinks to get on with buying some tickets:


Sunday 10/14 at 2:00pm will be our ONLY matinee performance ofMurder Most Fowl, and it’s your chance to see it again, and

bring a friend for free!


Offer Valid

Thursday 10/11 & Sunday 10/14 ONLY


UPDATE

Due to popular demand, we’ve extending the run to include performances on Nov 2, 3, 9 & 10!  Show time remains 7:30pm

All About Avenue Theater

Avenue Theater is marking its 25th year of producing new plays and musicals, regional premieres, and productions of favorite standards from the world’s theater! Since 1987, the Avenue has been one of Denver’s favorite places for entertaining and thoughtful theater, and has won many Henry, Denver Post Ovation, Marlowe and other awards for adult and children’s theater. There are many great restaurants nearby, parking is easy and we are RTD accessible.
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The Play “8”

8
Oct 15, 2012-Oct 15, 2012
The Stage Theatre
One Night Only!
Oct 15, 2012
Tickets: $20
by Dustin Lance Black
5:30pm Reception
7pm Reading
8:30pm Talkback
One Night Only!
5:30pm Reception  |  7pm Reading  |  8:30pm TalkbackJoin the Denver Center Theatre Company on Oct 15 for an exclusive staged reading of the new documentary play 8. Written by Dustin Lance Black (of Milk and J.Edgar fame) 8 documents the trial of Perry vs. Schwarzenegger, the federal case which ultimately overturned Proposition 8 and granted marriage equality to the people of California. Based on courtroom transcripts, first-hand observations and interviews with the plaintiffs and their families, 8 is a glimpse into this historic 2010 trial.Proceeds from this one-night-only event will benefit ONE Colorado Education Fund, American Foundation for Equal Rights, as well as Denver Center Theatre Company. Following the performance, guests are invited to participate in a panel discussion with local politicians led by Brad Clark, Executive Director ONE Colorado to learn more about the fight for equality in Colorado.

Individual Tickets  & VIP Tickets

Buy tickets at www.denvercenter.org

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STOMP for Rhythm Lovers

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At the Buell Theater, September 25 – 30, 2012. Opening night proved that STOMP is loved in Denver. It’s a fast paced show that literally starts with a toe tap and ends with uproarious finger snapping, foot stomping, tapping on cans, match boxes, brooms and hilarious and talented actors who hilariously interact with the audience a la mime. Adults and children alike, were compelled to interact with yelps and laughs as the actors pointed to the audience and engaged the crowd in this very creative and rhythmical beloved Broadway show.

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Gullah Sensibilities & African American Spirituals

http://thewaterbroughtus.wix.com/africainamerica

“Frogmore Crossing”
Artist: Jonathan Green

Spirituals Project founder Dr. Arthur C. Jones, along with members of Sankofa: An Ensemble of The Spirituals Project will present “Gullah Sensibilities & African American Spirituals” on Friday, September 21, 2012 as part of Johnson Legacy, Inc. and RedLine’s Gullah/Geechee Cultural Celebration & Exhibition,The Water Brought Us: Passport to Africa in America.

This series of events runs from September 7 – 22, and celebrates the unique culture of the Gullah/Geechee people with art, music and workshops. Click here for a full list of programs and events in the series.

Included in the series is an exhibition of the work of Jonathan Green, considered one of the most important painters of the southern experience and Gullah culture.

Join us for this one-of-a kind celebration of Gullah/Geechee Culture. Full Passports for all events in the series are available at Early Bird pricing.

Johnson Legacy, Inc.  720.301.1883 | RedLine  303.296.4448

The RedLine Gallery is at the top of Denver gallery stops. By hosting The Jonathan Green exhibit in Denver they bring a rare glimpse into an obscure southern history far removed from say, Atlanta, Chicago or New York City. The language, the traditions, the food of the Gullah culture represent an important segment of American history, not just for Southerners.

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I Love You, You’re Perfect, Now Change is closing October 14

 I LOVE YOU, YOU’RE PERFECT, NOW CHANGE playing the Garner Galleria Theatre will close on October 14 with Denver’s favorite fast-talking Tupperware lady returning just in time for the holidays. DIXIE’S TUPPERWARE PARTY plays the Garner Galleria Theatre November 7-December 30Tickets are now on sale for both shows at denvercenter.org or by calling 303.893.4100.

 

Four actors take on the lives of more than 20 characters as they face the trials and tribulations of dealing with the opposite sex.  I LOVE YOU, YOU’RE PERFECT, NOW CHANGE is the perfect date-night comedy for adults.  Everything you’ve secretly wanted to know about dating, mating and marriage but were afraid to ask!  Parents who talk baby talk, men who talk and women who pretend to listen, infidelity, and the injustice of long lines at the ladies room are just some of the issues that are hilariously skewed in Joe DiPietro’s hugely successful chamber musical.

 I saw this on opening night and it was refreshing and genuinely funny and relevant. If you haven’t seen this show this time around, trust me, it is fabulous and worth the time and effort. Male and females laugh out loud through out this smart and clever look at men & women looking for love.  DAM (Jan)

 

 

DIXIE’S TUPPERWARE PARTY stars Dixie Longate, who has packed up her catalogues and left her children in an Alabama trailer park to journey across America. Critics and audiences have howled with laughter as Dixie throws a good ol’ fashioned Tupperware Party filled with outrageously funny tales, heartfelt accounts, FREE giveaways, audience participation and the most fabulous assortment of Tupperware ever sold on a theatre stage. Loaded with the most up-to-date products available for purchase, Ms. Longate will share how she became the number one Tupperware seller in the world as she educates her guests on the many alternative uses she has discovered for her plastic products.

Written by Kris Andersson, DIXIE’S TUPPERWARE PARTY turned off-Broadway into a Tupperware-mania celebration and garnered the prestigious 2008 Drama Desk Award Nomination. Produced by Down South LLC and directed by Patrick Richwood, DIXIE’S TUPPERWARE PARTY features costumes designed by Dixie Longate and lighting designed by Richard Winkler. dixiestupperwareparty.com.

Tickets may be purchased at the Denver Center Ticket Office, located in the Helen Bonfils Theatre Complex lobby. Buy and print online at denvercenter.org.

 

DIXIE’S TUPPERWARE PARTY                                                                 Nov 7-Dec 30  

Wednesday – Saturday                                                                                      7:30pm

Saturday & Sunday                                                                                             2pm

*no performances December 4-9

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Denver’s Bunkport Theater, “A Happy Ending,” praise from Henry Lowenstein

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Dear Theatre Friends,
I rarely comment on currently running productions but will make an exception with “A Happy End” at the Buntport Theatre. Set in 1932 Berlin, it tells the story of a Jewish physicist and his family as they vacillate in face of the coming Nazi threat. Should they leave everything behind or might it all be a passing phase that will soon blow over?
I was seven years old in Berlin in 1932 when I heard the very same discussions as many family friends decided to leave Germany. It became my quick lesson in survival and the end of being a child.  My mother saw the coming danger whereas my father, who had been highly decorated for his service as an Army doctor during all four years of World War One, would not believe that his  beloved Germany could allow Hitler to rule for any length of time.
Iddo Netanyahu’s play brilliantly catches the conflicting emotions of the time, Ami Dayan’s direction is eerily reminiscent of Erwin Piscator’s 1920’s Epic Drama style and the cast is terrific.
Henry Lowenstein
“A Happy End” Thursdays –Sundays until Sept 16th, Buntport Theatre
Link to buy tickets: www.ahappyend.com

September 1-16
(previews Aug 30 and 31)
Thurs – Sat at 8pm
Sundays at 3pm

Buntport Theater
717 Lipan Street,
Denver Colorado
Directions


Tickets at
brownpapertickets

or at box office
1hr before the show

Box Office / Groups:
720-289-6451

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“Searching for Sugar Man”

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“Searching for Sugar Man,” is the movie to see this fall in art house theaters. It is a wonderful story about a little known ‘rock star’ who was hailed in the early 1970’s to be bigger than Dylan. Music producers predicted he’d be the next music star.

As Clarence Avant, former executive at Motown, said, “If I had to pick the top ten most talented artists I’ve worked with, Rodriguez would be in the top five.” He was that good. Avant also added, “Let me see, he sold, hmmm, about…..six (6), six albums and those were to me and my kids.”

As the albums were released, Rodriguez made no waves from Detroit, or any where in America for that matter, yet, during his 30 years of obscurity in America, he was completely revered in South Africa and quite literally was a bigger icon than Elvis. Rodriguez’s family had no idea of any of this until 1998, when two fans hunkered down to find out if any one in the world knew a thing about Sixto Rodriguez. The fabled story heard in South Africa was he had committed suicide on stage. For twenty five years his music was played and idolized, while the story of his death was the stuff of rock legends.

Websites were created in South Africa, requesting any sliver of information about Rodriguez, who remained the mysterious, genius song writer from America. Then it happened one early dawn in 1998. The two South African fans, one a music store owner and one a music journalist uncovered astonishing facts.

This story has caught the eyes and heart of every one who has heard the story or seen the newly released Music and Performing Arts Documentary, ‘Searching for Sugar Man,’released by Sony Pictures Classics. The movie/documentary was directed and written by Malik Bendjelloul. Its first screening was at The Sundance Film Festival. It left Utah with rave reviews.

Enough said. You should see it or read about it. I refuse to say another thing. This is a movie that digs deep into the American soul.  It resounds with every one who has ever lived and worked here. Rodriguez, like Woody Gutherie, is an American Hero. A legend and essential artist for lyrics that go beyond our every day struggles. Sixto Rodriguez’s words reached South Africa in a big way because he was talking about the struggles of people every where. His newly found, 34 year old, 2 1/2 albums have unleashed words that will last a lifetime, lyrics that come with a prolonged influence on the struggles of the working class every where in the world.

Debut album, Cold Fact, is not sold anywhere in the USA. Cuts “I Wonder” and “Sugarman,” are as fresh and intelligent today as they were in 1968. Soon, I’m guessing, his song ‘I Wonder,’ will be heard on radio stations around Denver.

It’s at the Mayan Theatre, on 1st & Broadway. www.landmarktheatres.com 

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FENCES: a powerful work by August Wilson at the Denver Theatre Company

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PLAYS THE SPACE THEATRE SEPTEMBER 14 – OCTOBER 14

 The Denver Center Theatre Company (DCTC) presents FENCES by August Wilson, playing The Space Theatre September 14 – October 14, 2012. Tickets may be purchased now, by calling 303.893.4100 or visitingwww.denvercenter.org.

 Troy Maxson, a star baseball player whose career was blunted by the racism prevalent in pre-Jackie Robinson America, now supports his family as a sanitation worker. Feeling his world rapidly changing, Troy builds a fence to protect what is familiar and hold off what threatens. Both muscular and lyrical, this August Wilson blockbuster, winner of the Pulitzer Prize and two Tony Awards, shows what can happen when a strong man is robbed of his dreams.

The cast of FENCES includes several debuting actors: David Alan Anderson as Troy Maxson, Marcus Naylor as Jim Bono, James T. Alfred as Lyons, Jerome Preston Bates as Gabriel and Calvin Dutton as Cory. Also debuting and alternating the role of Raynell are Nadja-Monet Brown and Emmi Grace Sullivan. DCTC favoriteKim Staunton returns in the role of Rose.

Debuting at DCTC is Lou Bellamy who will direct FENCES. Bellamy is founder and Artistic Director of Penumbra Theatre located in Minnesota, which has produced 35 world premieres, including August Wilson’s first professional production and more of Wilson’s plays than any theater in the world. Set design is by Vicki Smith (25 seasons/Heartbreak HouseThe Adventures of Tom SawyerDracula) while costume design is by David Kay Mickelsen (54 productions/18 consecutive seasons/13 premieres, The Adventures of Tom SawyerThe Liar, Ruined). Lighting design is by Don Darnutzer (Heartbreak House, Dracula, Mariela in the Desert) and sound design is by Jason Ducat (Heartbreak House, World Premiere Two Things You Don’t Talk About At Dinner, The Adventures of Tom Sawyer). Fight direction is by Gregory Hoffman (The Taming of the Shrew) while dialect and vocal coaching is by Kathryn G. Maes, Ph. D (Heartbreak House, World Premiere Great Wall StoryThe Taming of the Shrew).

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AUGUST WILSON, 1945-2005

I remember seeing “King Hedley II,” at the Denver Theatre Company as one of the most powerful performances ever seen in Denver. The austere emotions, strength of the actors, and caustic dialogue left the audience feeling they had lived, eaten and slept with this imposing figure. 

Single tickets for FENCES, on sale now, start at $35 (non-SCFD) and also are available for $10 (SCFD 10 for $10 program) and are on sale now.  To purchase, call Denver Center Ticket Services at 303.893.4100.  For groups of 10 or more, please call 303.446.4829.  TTY (for Deaf and hard-of-hearing patrons): 303.893.9582.  Tickets also may be purchased at the Denver Center Ticket Office, located in the Helen Bonfils Theatre Complex lobby.  Buy and print online at www.denvercenter.org.  Student rush $10 tickets are available one hour prior to curtain with a valid student ID subject to availability.  Senior and military rush tickets are available one hour prior to curtain, subject to availability. No children under six will be admitted to any theatre.

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